Skins pure music series#
And when the seventh series comes out on DVD, I think I’ll pass. So if it’s alright with everyone, I think I’d like to go back to thinking of Naomi as alive, Effy as not-going-to-jail, and Cassie and Sid as living happily in Albuquerque somewhere. There’s been some moments in Skins: Redux that have brought something new and exciting to the show and it’s characters, but they’ve been few and far between. Maybe the fragility and indestructibility of youth is necessary to the show, or maybe the Skins writers have just lost their touch: the friendships that were so vital to the first six series are almost completely invisible here, and without any well-developed relationships to ground it, series seven simply fails to engage. The show’s schoolyard setting held it back from exploring a darker agenda, but when the opportunity finally arose to tread more adult territory, the execution left a lot to be desired. Mostly though, the heart of Skins has always been its teenage protagonists. And with Effy and Cook at least, the writers managed to capture the same spirit that originally drove the two (sadly, the same cannot be said for Cassie). In terms of cinematography, the show has certainly outdone itself in series seven, with each episode stunningly shot, and raising the bar for the next. While the Redux idea was exciting, bringing back our old favourites would only have been worthwhile if we could do them justice.
So are we content to leave Skins behind forever on that note? It’s not until the familiar revengeful roar, when Cook finally confronts Louie - “I’m fucking Cook!” - that you remember.
And the final half of the second episode is so beautiful and gripping that it’s not until Cook and Charlie find Emma’s body hanging from a tree, and you are jolted out of the spell you were under, that you realise you have no idea what you’re watching anymore. In this new version of Skins, the villain is not a send-up, nor a cliché he’s only vicious. Instead, the show has become something else entirely. You can’t even call its new direction sensationalist, and sensationalism is the vice of choice for the Skins crew.
Skins pure music movie#
Watching the second episode in the arc, you have to wonder if the creators of the show simply felt like making a horror movie instead perhaps, aware that this would be the last of Skins forever, they decided to pull out everything they had and go for broke.īut with none of the humour or light-heartedness that typifies the show, this just doesn’t feel much like Skins anymore. "Russell's such an iconic voice in British storytelling, and especially queer storytelling, and I would have done anything to work with him.But it’s hard to read Rise as satirical. Keep the show going on the Rift with these new Epic skins. "Hearing that Russell was making something new, that was enough for me to want to be involved," Alexander told Channel 4 in a press statement sent to Bustle. K/DA Ahri, K/DA Evelynn, K/DA Kai’Sa, and K/DA Akali take the world stage with their debut single. He's also starred in a few feature films, including experimental art film Enter the Voidas well as Gulliver's Travelsand Great Expectations.īut his role in It's A Sin is evidently one of his favourites, especially with Davies being involved. According to IMDB, his first on-screen appearance was as Ned in CBBC's Summerhill, leading on to other telly roles in the likes of Lewis, Skins: Pure, and Penny Dreadful. He studied performing arts at Hereford College of Arts before moving to London to begin his career, and has maintained regular acting work since. While his music career is probably where you recognise him from most, Alexander has been acting for quite some time. Ritchie is played by Olly Alexander, one part of the synth-pop trio Years & Years. If this actor looks super familiar, that's because he is. Written by Russell T Davies and partly based on personal experiences, the series follows Ritchie and his friends as they navigate the epidemic and the effects it has on their lives. The five-part drama It's A Sin follows Ritchie Tozer, an 18-year-old living life with his close group of friends in the midst of the HIV and AIDS epidemic.
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